Etude de Hockney : visage de femme et nature  morte

Here, Agram appropriates David Hockney's formal and chromatic language, while imposing a new exposure between the elements of the painting. While Hockney uses color and clarity of composition to assert the subject's presence, Agram takes this approach a step further by integrating a duality between the rigor of figurative construction and the fluidity of surfaces.